Sunday, December 4, 2005
Interview with Stephen Gaghan, Director and Writer of Syriana
"… and they’re all back! Just look at them! They’re all like a hundred and ten years old, they cut their teeth under the first Nixon administration ... they hang upside down like vampire bats when they’re out of power and they wait around. It’s the same guys: ‘Hey, don’t conserve energy! There’s no problem! Party on!’"
"... and I’d noticed some times when you could be in somebody’s house, and it could be a totally genteel type of drug dealer, or it could be a more gangster-y drug dealer, but whatever – there was often something similar about them, which is they have children, and the children are staring at violent television, cartoons or some shit, and they’re eating sugar-coated breakfast cereal and they look malnourished, there’s a handgun on the table – there’s always a handgun on the table, like on a coffee table or a table, and it’s so unsettling, and the TV’s going and you’re looking at the handgun and the children are over there and you want to say, 'I’ve got this great parenting book by Mary Hartsell and I just want to give it to you, because I think you could use some advice on parenting. …' But you don’t say that – because that would be breaking an unwritten code. And the unwritten code is the guy has something you need, and you really need it, and you’re not going to fucking bum him out."
It's a very compelling and raw interview and I'm anxious to see if this movie follows his vision.
[MORE »]
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Did you know.......?
...that Andy Warhol created his version of A Clockwork Orange...SIX YEARS BEFORE it was even released? He called his movie, Vinyl; both are taken from Anthony Burgess' novel.
"… and they’re all back! Just look at them! They’re all like a hundred and ten years old, they cut their teeth under the first Nixon administration ... they hang upside down like vampire bats when they’re out of power and they wait around. It’s the same guys: ‘Hey, don’t conserve energy! There’s no problem! Party on!’"
"... and I’d noticed some times when you could be in somebody’s house, and it could be a totally genteel type of drug dealer, or it could be a more gangster-y drug dealer, but whatever – there was often something similar about them, which is they have children, and the children are staring at violent television, cartoons or some shit, and they’re eating sugar-coated breakfast cereal and they look malnourished, there’s a handgun on the table – there’s always a handgun on the table, like on a coffee table or a table, and it’s so unsettling, and the TV’s going and you’re looking at the handgun and the children are over there and you want to say, 'I’ve got this great parenting book by Mary Hartsell and I just want to give it to you, because I think you could use some advice on parenting. …' But you don’t say that – because that would be breaking an unwritten code. And the unwritten code is the guy has something you need, and you really need it, and you’re not going to fucking bum him out."
It's a very compelling and raw interview and I'm anxious to see if this movie follows his vision.
[MORE »]
Did you know.......?
...that Andy Warhol created his version of A Clockwork Orange...SIX YEARS BEFORE it was even released? He called his movie, Vinyl; both are taken from Anthony Burgess' novel.
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