The Unseen Bill Hicks Stand-Up Act

Saturday, January 31, 2009


I've never seen anything like this done on television before. I was watching David Letterman last night and saw that Mary Hicks was going to be on the show and Dave explained that she was comedian Bill Hicks' mother and then went on to explain about Bill Hicks' last appearance on the Late Show in 1993.

For whatever reason, Dave thought Bill Hicks' routine was a little too rare to air so he censored his act, in fact, stopping it from appearing on the show that night. (They tape several hours earlier in the evening.) Bill Hicks' passed away less than a year later of pancreatic cancer.

Fast forward 15 years or so with Letterman feeling he had done Bill Hicks a huge disservice, invited Bill's mother to come on the show and he finally air that comedy bit of Bill's last night.

The way it stands, I've got to admire that David Letterman publicly admitted his wrong move and tried to smooth it over as best he could. Lettermen sure was one arrogant s.o.b. back then. I don't think there's anything nefarious about his gesture and maybe more people can appreciate Bill Hicks' talent.

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Friday, January 30, 2009

Fear and Loathing at the Super Bowl (by HUNTER S. THOMPSON, 1974)

". . .and whosoever was not found written into the book of life was cast into the lake of fire..."

— Revelations 20:15

This was the theme of the sermon I delivered off the 20th-floor balcony of the Hyatt Regency in Houston on the morning of Super Bowl VIII. It was just before dawn, as I recall, when the urge to speak came on me. Earlier that day I had found — on the tile floor of the Men's Room on the hotel mezzanine — a religious comic book titled "A Demon's Nightmare," and it was from the text of this sleazy tract that I chose the words of my sermon.

The Houston Hyatt Regency — like others designed by architect John Portman in Atlanta and San Francisco — is a stack of 1000 rooms, built around a vast lobby at least 30 stories high, with a revolving "spindletop" bar on the roof. The whole center of the building is a tower of acoustical space. You can walk out of any room and look over the indoor balcony (20 floors down, in my case) at the palm-shrouded, wood and naugahyde maze of the bar/lounge on the lobby floor.

Closing time in Houston is 2:00 AM. There are after-hours bars, but the Hyatt Regency is not one of them. So — when I was seized by the urge to deliver my sermon at dawn — there were only about 20 ant-sized people moving around in the lobby far below.

Earlier, before the bar closed, the whole ground floor had been jammed with drunken sportswriters, hard-eyed hookers, wandering geeks and hustlers (of almost every persuasion), and a legion of big and small gamblers from all over the country who roamed through the drunken, randy crowd — as casually as possible — with an eye to picking up a last-minute sucker bet from some poor bastard half-mad on booze and willing to put some money, preferably four or five big ones, on "his boys." Go Read More »

This is the real Hunter S Thompson's 1974 Rolling Stone piece. I was living in Virginia Beach, VA, when this article came out. Gas was being rationed; I was 6 months pregnant. The Exorcist had just come out at the movies. Hunter framed this period of my life. If you got Hunter you got me. Besides Dylan, he was my Guru and every time he would hold forth I'd devour every single morsel. You've got to remember that this kind of writing (gonzo journalism) was rare in the 70s.

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Life Without Bush

The Bumbling One has left the building. The banal demon has been forcibly sucked back into the horror-movie canister from whence he escaped eight years ago, and reburied in the back yard of your darkest Ann Coulter nightmare. Dubya, W, Shrub, the Decider, Chimp, Junior, Boy King, Smirk, he ambles no longer across the stage of our collective outrage. The easy punch line is no more.

--Life Without Bush, Mark Morford

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D O P E

Friday, January 23, 2009

D O P E

DOPE, is a 1968 documentary of the London drug scene. Featuring Donovan and Australian artist/dancer Vali Myers, the spectre of underground folk legend Geno Foreman, Marianne Faithfull talking about poppers, Syd's (Pink) Floyd in full UFO freakout mode, The Fool and mainlining in Richmond Hill, Dope is the definitive document of counter-cultural life in the capital during 1967.

Mere words cannot adequately describe this visual montage documenting the bohemian London drug culture of the late sixties...as they shoot up, eat, talk. In the spirit of the era’s avant garde film movement and evoking the subversive work of Andy Warhol, Jack Smith, Stan Brackage, and even Dennis Hopper’s Easy Rider, Dope never spares its audience a break . . . Dope is more underground than the underground. It’s sub-underground.

"Light and atmospheric, this is a heady drama perfumed with scenes of heroin and hashish."--Ira Cohen

Film by Flame Schon, aka Diane Rochlin (in collaboration with the late Sheldon Rochlin). link

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Vali Myers

Vali Myers



Vali was certainly Melbourne's most recognizable bohemian artist in recent years. Clad in flamboyant gypsy style, with flaming red hair, featuring intricate tattoos (even around her lips), looking remarkably young for her 70-odd years and usually with a young male lover in tow, she was immediately recognizable in the streets and haunts of Melbourne. (via)

Patti and Vali - 1973 is a short film/documentary by Sandra Dailey. The film shows Patti Smith having her knee cap tattooed by Vali, and also features an off screen commentary by Smith. And Vali, The Witch Of Positano.

The OutrĂ© Gallery are proud representatives of rare prints by the legendary Vali Myers. (born: August 2, 1930 – died: February 12, 2003)

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ABOUT

* The BROKEN HALLELUJAH name is taken from "Hallelujah", a song by Leonard Cohen.

* Easy Bake Coven , my previous website, ran from 2002 - 2009. It was time for a change so it will now be a mostly music-related website. All of our old EBC posts are stored there and here as well.




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